16 ideas
| 20327 | Modern attention has moved from the intrinsic properties of art to its relational properties [Lamarque/Olson] |
| 20326 | Early 20th cent attempts at defining art focused on significant form, intuition, expression, unity [Lamarque/Olson] |
| 20330 | The dualistic view says works of art are either abstract objects (types), or physical objects [Lamarque/Olson] |
| 5901 | Is 'productive of happiness' the definition of 'right', or the cause of it? [Ross on Bentham] |
| 5271 | Prejudice apart, push-pin has equal value with music and poetry [Bentham] |
| 5934 | Of Bentham's 'dimensions' of pleasure, only intensity and duration matter [Ross on Bentham] |
| 3777 | Pleasure and pain control all human desires and duties [Bentham] |
| 6004 | The cardinal virtues are theoretical (based on knowledge), and others are 'non-theoretical' [Hecato, by Dorandi] |
| 3554 | Bentham thinks happiness is feeling good, but why use morality to achieve that? [Annas on Bentham] |
| 3781 | The value of pleasures and pains is their force [Bentham] |
| 20977 | Natural rights are nonsense, and unspecified natural rights is nonsense on stilts [Bentham] |
| 3778 | The community's interest is a sum of individual interests [Bentham] |
| 21003 | Only laws can produce real rights; rights from 'law of nature' are imaginary [Bentham] |
| 20280 | Large mature animals are more rational than babies. But all that really matters is - can they suffer? [Bentham] |
| 3779 | Unnatural, when it means anything, means infrequent [Bentham] |
| 3780 | We must judge a thing morally to know if it conforms to God's will [Bentham] |